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The 50 best albums of the 1960s

It's been wrongly labeled as the first krautrock album before, but that doesn't mean it isn't the first great one. For an album pioneering a genre that was still in its infancy, Phallus Dei is already heavily experimental. Most of it is pretty much tribal-esque free form rock. Krautrock would get better, but it still had a remarkable start.
Of course it starts with Bowie's most well known track, but the rest is nice psychedelic folk as well that bares no resemblance to Bowie's amateurish and jokey debut. The other highlights are the two longest tracks "Cygnet Committee" and "Memory of a Free Festival" which closes the album phenomenally.
Os Mutantes is a nice, very ahead of its time piece of tropicalia from Brazil. It combines psychedelia, electronic music, samba, and pop rock to make for a manic, catchy and unique album.
Francis Albert Sinatra & Antonio Carlos Jobim is a twenty-five minute collection of bossa nova covers (some of which were written by Jobim himself) sung by Sinatra with Jobim on guitar. Every song here is elegant and beautiful, and though he may not have the world's highest vocal range, Sinatra's baritone could make any song better.
Here Are the Sonics is a very early piece of proto-punk from my hometown. Some of these songs sound like they could even have been on Rocket to Russia. The originals like "The Witch" are the best songs of course, but the punk-ified covers of old soul and R&B tunes like "Have Love Will Travel" kick ass as well.
As the follow up to the classic Kind of Blue Miles Davis finally makes his first album - of many, thankfully - to make people ask "Is this jazz? What even is it?" Sketches of Spain is a love letter to the music of Spain, reworking a few classic songs into a more modern, jazzier sound. Sketches of Spain sounds like it could be the soundtrack to a 60s Spanish film - or a Western - and a damn good one too.
Ska isn't exactly an album oriented genre, so this short 1968 best of will do you fine for one of the pioneers of the genre's first wave. Like most of the great music to come from Jamaica, Prince Buster's songs were cheerful and catchy and his lyrics were progressive and political. Still, the best song here is probably the instrumental "Freezing Up Orange Street."
Monster Movie is the second great krautrock album, even if it's around half krautrock and half proto-punk. Even without Damo Suzuki and his memorable voice in the band, they do just fine with African-American artist Malcolm Mooney as their lead vocalist. They'd grow as a band but they already have that hectic intensity and groovy repetitiveness down here, and it's nearly as good as the albums in the Suzuki trilogy.
Easily the weirdest of the four Velvet Underground albums, White Light / White Heat brings the punkishness and abrasiveness hinted at in the debut to the forefront. It's a hazy, distorted mess of an album. The highlights are the least conventional songs; the bizarre spoken word story "The Gift" and the out of its mind seventeen minute "Sister Ray," where the only thing saving it from losing control is the repetitive drumbeat.
Anthem of the Sun is the pinnacle of the Grateful Dead's psychedelic era, combining studio recordings with live recordings. It sets itself apart from the rest of the psychedelic rock of the time by planting the seeds of their folk and country rock future here, which gives its mixture with psychedelic rock a uniqueness. The best song here is the opening suit, but they're all absorbing pieces.
With many lineup changes and songs written by everyone from member Ben. E King to future stars like Carole King, this pop soul group was more of an idea than an actual band. That said, they knocked out some killer (if a tad cheesy) tunes - I don't know if I've ever heard something as moving as Ben E. King's vocals on "This Magic Moment."
Many say it's their best album, but I'm inclined to disagree as it has a few weak points. "Taxman" sounds pretty whiny when it's coming from a few millionaires and some of the songs on side two are a little weak. But that doesn't stop this from being a great album because the high points are very high, namely "Eleanor Rigby" and my personal favorite "I'm Only Sleeping."
Bossa nova "creator" João Gilberto joins forces with Stan Getz to make nice bossa nova / jazz crossover. It's chill and its songs are memorable. It has quite an odd story behind it however. The reason a sequel never came to be was because João's wife Astrud Gilberto (the singer on "The Girl from Ipanema") left him for... Stan Getz.
Face to Face was the Kinks' first concept album and their first front to back classic. By this time they were about half proto-punk and half pop rock. It's got a few memorable rockers like "Party Line" and "House in the Country" and then there's the slow satirical classic "Sunny Afternoon."
Please Please Me may have come first, but it was 1964's Meet the Beatles! that would serve as an introduction to the Beatles for five million Americans, and the value of that can't be underestimated. It took out all of the covers from With the Beatles and added in the classics "I Want to Hold Your Hand" and "I Saw Her Standing There." It's twenty-five minutes of fun original pop rock and is all killer, no filler.
Smiley Smile has received far too much hate, and I'd go as far as to say it's as good as what SMiLE was going to be. After a year spent relentlessly polishing SMiLE Brian Wilson realized what we wanted may never come to be, so the Beach Boys went back to basics and quickly recorded a lo-fi not very basic at all EP length album with different takes on most of the songs that would've appeared on SMiLE. The hazy atmosphere is easy to fall in love with and songs like "Good Vibrations" and "Heroes and Villains" will forever remain classics.
Booker T. & the M.G.'s are probably better known as the backing band for many legendary artists at Stax, but they had many a damn good tune to their own names. Their albums aren't particularly good, but their best songs are, and this half hour compilation gives you all the soul jazz you need from them. We all know "Green Onions," but the rest of the songs are worth hearing as well.
Comprised mostly of old outtakes, The Village Green Preservation Society is the Kinks' sunniest and most poignant and emotionally resonant album. The melodies and lyrics are undeniable, and every song (especially the first three) is very charming. Sounds like Disneyland but if it was actually cool and in the U.K.
The second of Cash's prison albums is shorter, doesn't contain obnoxious fake cheering overdubbed in it, and has Cash performing more of his classics. Cash's commentary is constantly entertaining and the songs are performed with infectious energy. "A Boy Named Sue," is an unforgettable song.
Now! is the first classic Stones record, even if it's two thirds covers. The covers here are phenomenal compared to those on their first two albums, and the originals (mainly "Heart of Stone") show progress in their songwriting as well. Now! sounds like a smokey bar with a damn good covers band playing. By that I mean that it's great.
On Sweetheart of the Rodeo country rock pioneer Gram Parsons joined the Byrds and helped them reinvent their sound. Even if there's only two originals (both written by Parsons), the covers are all improvements over the originals. Sweetheart of the Rodeo is a perfect, mellow summer record.
Santana's debut is their best in my eyes (or ears). It's chill, improvisation heavy, vocally sparse music and endlessly listenable. It's both sophisticated and accessible. "Soul Sacrifice" is the most well known song here but I'm more partial to most of the first side.
The moment "Purple Haze" begins, you know you're in for one helluva ride. Hendrix's insanely inventive guitar work is mind bending on every moment of this album and the riffs are undeniable. It almost plays like a Jimi Hendrix greatest hits record, with four of his classic songs here. And for 1967, this is heavy as fuck.
The Velvet Underground & Nico might just be the beginning of "alternative" music as we know it. There's a ton going on her, from simple pop songs like "Sunday Morning" to proto-punk rockers like "Waiting for the Man," to long art rockers like "Heroin." Add in Nico's oddly deep voice for a woman on beautiful tracks like "Femme Fatale" and "I'll Be Your Mirror" and you've got an influential classic. And it's all good (except "European Son").
Coming at the heels of their first great album Face to Face, Well Respected Kinks is an EP of singles and b-sides. Of course singles like "All Day and All of the Night" and "You Really Got Me" are classics, but the b-sides here like "Gotta Move" and "Wait Till the Summer Comes Along" will surprise you with how amazing they are. Top to bottom, this is perfect.
Filles de Kilimanjaro is Davis's first foray into electric instruments and shows a glimpse into his fusion filled future. Even though it's barely fusion at this point, it's already hypnotic and atmospheric. He'd get better, but it's a very good start.
Pet Sounds is the first great Beach Boys album. Enough's been said about it, but I will say that the Beach Boys were my first favorite band when I was six. I remember hearing "Wouldn't It Be Nice" and being covered in goosebumps. I was blown away that something could be so beautiful. And I still feel that today when I hear it.
The commentary's a tad annoying (although as someone from the ghetto, the "This is the high society!" part always made me feel a little better). But the music just rocks a fucking raw energy like I've never heard. The first time I heard this I just couldn't go back to most punk for a week, because this was it. This raw as shit avant-garde explosiveness was what I had always been searching for, and I'd found it. Oh yeah, and this is from 1968.
Prog rock begins right here. Robert Fripp's incredibly distinct guitar work has already taken form here. The virtuouso musicianship is insanely fun to listen to, especially in parts like the very long improvisational bridge to "21st Century Schizoid" whose simple but thoughtful lyrics angrily shit on the Vietnam War. All five songs here are good, even the noodling "Moonchild."
In a string of four great albums from Creedence, Green River is the first - and the best. The swampiness comes in within the first few seconds of the opening title track (one of their best songs) and keeps going through some rockers like "Commotion" and poignant ballads like "Wrote a Song for Everyone" and "Lodi."
The last of Dylan's protest era, but also the best. The whole album sounds so damn angry and I love it. The classic opening title track is a song that will always resonate for as long as the world remains a place that be a bit better. The fourth verse is particularly amazing. The rest of the album's nearly as good, with haunting folk tunes like "Ballad of Hollis Brown" and "With God on Our Side."
Abbey Road truly feels like the finale to the Beatles; the closing sixteen minute suit may be my favorite Beatles song. But along with their grand finale, they also cover tons of areas they'd previously mastered, with goofy children's music like "Octopus's Garden" (the best individual song here I might add) to dull elevator music like "Something." But with songs like "Come Together," "Here Comes the Sun," "I Want You," and of course the songs I already mentioned, you have nearly an A+ record.
Help! is the first "sophisticated" album from the Beatles, merging their obvious knack for memorable melodies and catchy pop hooks with the newly born folk rock craze. The result is, at times, beautiful. It'll be a miracle if I ever hear another song as good as "I've Just Seen a Face."
The Piper at the Gates of Dawn couldn't be more different from the Pink Floyd we all know. Fronted by Syd Barrett whom the band would soon lose to mental illness, it's like a somewhat dark, somewhat dreamy book of children's poetry sung over manic, bizarre, unstructured, and occasionally surf influenced rock music. Where post Barrett Floyd is meticulous, Barrett Floyd is haphazard and jammy. It's like the Doors mixed with the Kinks mixed with the Beach Boys mixed with Pink Floyd.
Coming from a time when the Stones were experimenting with psychedelia, Between the Buttons is packed with so many beautiful tunes. "Let's Spend the Night Together," "Ruby Tuesday," "Connection," "She Smiled Sweetly," "Something Happened to Me Yesterday;" all perfect pop songs.
Other than the opener "Drive My Car" any of the "old Beatles" sound that was still there on "Help!" is gone here and replaced with a poppy folky hazy atmosphere. Plus it's got "In My Life." That's the highest praise an album can receive.
The Animals weren't ever much of an album band, but a singles band they were indeed. Sure, all but one of these songs are covers, but when the Animals did a cover, it definitively became their song. Is there any reason for anyone to make another cover of "House of the Rising Sun," when Eric Burdon's deep bellowing voice and Alan Price's organ have already changed it from a simple traditional folk standard into one of the most visceral, sinister and intimidating songs ever recorded? Is there anything as blissful as Burdon's voice when he sings "Girl there's a better life for me and you" on "We Gotta Get Out of This Place?" It's called The Best of the Animals, but it may as well be called The Best Covers of All Time, Vol. 1.
For the first time, the Stones had made an album that was half originals, but the covers also shine here - in fact, all of the best Stones covers that aren't "Love in Vain" are here. The covers are mostly on side one while the originals are mostly on side two. On the opening track "Mercy Mercy," there's something undescribably amazing about the way Mick sings "But please don't say we're through!" And their cover of Sam Cooke's "Good Times" is such a joyous rocker. But the highlight here is of course, "Satisfaction." "Satisfaction" may not be punk in sound, but it's the punkest pre-1976 song out there in attitude, with its themes of commercialism.
A bit of a shock that the guy that did New Orleans R&B better than anybody else is white, but what can I say. Gris-gris is amazing. From weird chant songs like to "Danse Kalinda Ba Doom," to "pop" songs like "Mama Roux" and "Jump Sturdy," to instrumentals like "Croker Courtbullion," to the badass psych-rock closer "I Walk on Guilded Splinters," this album's a wild ride.
Just after Miles Davis's In a Silent Way Frank Zappa came out with the second major jazz fusion record. It's like the weirdness of Zappa taken into instrumental form. There's something off about these songs - in a good way - but it's hard to pinpoint what. The first three songs are the best, with Captain Beefheart's uncannily Tom Waits-esque voice on "Willy the Pimp;" and the cheeriness of "Son of Mr. Green Genes."
The Stooges' debut is easily their most important album, even if it hasn't aged as well their other two. Still, the moment I hear 1969 I'm pumped - and reminded that somehow, what I'm listening to is from 1969. And then that opening feedback in the intro to "I Wanna Be Your Dog?" Chills, everytime. The rest of the songs are fun, if not as good, but "We Will Fall" is at least two minutes too long.
The first Rolling Stones album of all originals comes swinging right out the gate with "Mother's Little Helper," a hilarious psych-pop tune. The rest here are some of the best songs during the Stones' pop period, like "Lady Jane," "Under My Thumb," and "Out of Time." And for an album that's just under an hour long - a very long running time for 1966 - Aftermath doesn't overstay its welcome in the slightest.
Despite being two EPs packaged together, Magical Mystery Tour does everything Sgt. Pepper's set out to do, but better. It's a pop epic shrouded in fantasy. To hate Magical Mystery Tour is to hate happiness. From the welcoming intro to the charming "Fool on the Hill" to the floaty instrumental "Flying" to the iconic tracks like "I Am the Walrus," "Hello Goodbye," "Strawberry Fields Forever," and "Love Is All You Need," this is the Beatles' masterpiece. But the best song here of course is "Penny Lane," the best chorus of all time and a song filled with an innocent joy and odd lyrics only Paul McCartney could write.
Beggars Banquet would be the Stones' last album with Brian Jones, and the best as well. After deepening the psychedelia of Between the Buttons on Their Satanic Majesties Request - and failing - the Stones went in a different direction and started making roots rock. Everyone's heard the classics "Sympathy for the Devil" and "Street Fighting Man" but nothing matches the beauty of the piano outro on "No Expectations" and the gospel-esque outro of "Salt of the Earth." Only thing wrong with this is some disturbing lyrics on "Stray Cat Blues."
In a Silent Way is the first major fusion record, thus making it incredibly influential, but it's also so good? It's the best ambient album ever made, and one that I would put on before I went to sleep every night for a month. He would go on to make much rockier albums like Jack Johnson and Get Up With It, but none would ever top this.
Following his "motorcycle crash" Bob Dylan went back to making simple acoustic folk rock. Even if it doesn't have any of his classic songs ("All Along the Watchtower" would be performed much better by Jimi Hendrix) it still has some of his best songs. The lyrics are a lot simpler than on Blonde on Blonde but that doesn't make them any less amazing. The story song "The Ballad of Frankie Lee and Judas Priest" has always been one of my favorites, and "I Pity the Poor Immigrant," "I'll Be Your Baby Tonight," and the title track all have some very poignant lyrics as well.
On their self titled album, the Velvet Underground (mostly) drop their experimental side after the departure of John Cale and turn into a folk pop band with a garage rock edge. And honestly? They get better. This and Loaded are their two best albums. The garage rockers like "What Goes On," and "Beginning to See the Light" are two of the best, but "Pale Blue Eyes," "Jesus," and "I'm Set Free" are goosebump evoking ballads. With its incredibly inventive use of the (at the time) new stereo technology "The Murder Mystery," is one of the most fascinating experimental rock songs I've ever heard. And there's no song that makes my heart sink deeper than "After Hours" when Moe Tucker sings "Oh, someday I know someone will look into my eyes and say hello, you're my very special one!"
At over seventy minutes long, Blonde on Blonde was the first double album in major label history, and it has every right to be that long. "Visions of Johanna" is obviously one of Dylan's prettiest songs, yet I don't think it's the best here. That'd be the simple pop tune "I Want You," a song that gives me chills every time I hear it. It also has some of Dylan's goofiest and most endearing songs like the repetitive opener "Rain Day Women #12 & 35" and "Leopard Skin Pillbox Hat." But the second side is even better than the first, with a few more upbeat rockers; and Bob Dylan does the cliched "side long epic" better than anyone with "Sad Eyed Lady of the Lowlands."
Front to back, Something Else is A+ tune after A+ tune. Their proto-punk sound? Completely gone in favor of music hall and sunshine pop. But this is undescribably amazing. Ray Davies isn't the world's best singer, but could anyone else make "Afternoon Tea" into such an eargasm? This album makes me feel everything, from happiness to sadness to making me laugh. "Hairy Rag" and "Tin Soldier Man" are hilarious, but it's not till you've heard eleven of the greatest songs of all time that you get to the closer "Waterloo Sunset" and realize that - somehow - there's a song a million times better than anything else the Kinks (or anyone else) have ever done. It's oddly relatable, a mix of melancholy, a feeling of content, and a feeling of hope. There's nothing that's ever captured the feeling of being alone - and a bit happy - better.
"Gimme Shelter" is the greatest rock song ever made and there's no doubt in my mind about that. But it's everything else here that keeps me coming back to this album time and time again. The passionate cover Robert Johnson's "Love in Vain" is beautiful, the country version of "Honky Tonk Women" is even better than the original, "Live With Me," is a bangin' hard rocker, the title track is an oddly sweet and endearing (if a little gross) song, "You Got the Silver" is another sincere love song from Keith Richards, "Monkey Man" has the most badass intro ever and a beautiful ending, and "You Can't Always Get What You Want" is perfect and has gotten me through some tough times. Perfect album.
What're your favorite 60s albums?
submitted by DungeonessSpit to ClassicRock

My 44 Favorite PS4 Games

As the PS4 generation is coming to an end, I have decided to make a list of my 44 favorite PS4 titles, and wrote 3 sentences describing why I enjoyed each game. This isn’t a critique of each game as they all have their flaws, but is intended to be a post showing my appreciation for that amazing experiences I’ve had over the years on this amazing piece of hardware.
Enjoy, and thank you for reading.
1 - Bloodborne
This was my proper introduction to the FromSoftware catalog, and what an introduction. I have never before or since felt the same satisfaction of victory as I felt overcoming this masterpiece. Pair that with the haunting tone and the compelling sense of mystery, I have not enjoyed an experience this generation more than my journey through Bloodborne.
2 - The Witcher 3: Wild Hunt
Witcher 3 has all the standard RPG tropes that I love, but what makes this game exceptional is the best in class writing. The Bloody Baron, The Last Wish, hell even the quests the armorers grant are compelling, not to mention the incredible DLC that was released to support the game. Witcher 3 is easily the highest quality game I have played this generation, I can’t wait to play it again on PS5.
3 - Dark Souls 3
After discovering Bloodborne, I played Dark Souls 2, Dark Souls 1, and couldn’t wait for Dark Souls 3. What FromSoft delivered was an epic Greatest Hits album from my favorite band. They perfectly balanced the faster pace of Bloodborne with the RPG depth that makes Dark Souls so fantastic.
4 - Monster Hunter World
This is my introduction to the Monster Hunter series, so this game was a total surprise for me. The hooks of Hunt > Craft > Repeat have never been stronger for me. This system works so well because it feels absolutely incredible taking down one of the vast number of beasts on offer.
5 - What Remains of Edith Finch
Edith Finch is something special. Clocking in at around 2 hours, it’s like going through an incredible pop-up story book filled with short stories, all coming together cohesively to deliver an incredibly emotional experience. This is the best short story in all of gaming.
6 - Persona 5 Royal
I shouldn’t enjoy this game, I don’t really like anime or JRPG’s, but wow am I glad I grateful I checked this game out. Clocking in at 120+ hours, this ½ Social Sim ½ Dungeon Crawler blew me away with its sense of style, incredible soundtrack, and unforgettable cast. What makes this game elite is how well everything synergizes together as every game system feeds beautifully into itself, making every task and decision feel weighty and important.
7 - The Last of Us Part II
This is the high bar for combined technical wizardry and storytelling in gaming. Some characters I hated, some characters I loved, and some I felt both simultaneously. What made this game special though is how they forced you to see the world through another set of eyes, giving me an incredibly unique experience of empathy that I had not before experienced in gaming.
8 - God of War
Another title delivering on outstanding combat, fantastic story, and technical wizardry. This is the first God of War game I really fell in love with in large part because they made the story personal. I was on the edge of my seat as I rarely am to see what was going to happen next in the story, and I was not disappointed.
9 - Nioh 2
Team Ninja is the one team that can give FromSoftware a run for their money in melee combat, and in terms of combat they may have passed them with this title. It’s so much fun to comb through a level finding all the loot I can, taking down a tough boss, and have them explode with loot everywhere, then do it all over again with a stranger. What Team Ninja built with a combination of Ninja Gaiden meets Dark Souls makes for a package that I could not put down.
10 - Horizon Zero Dawn
This may be the best new IP to come out this generation. Aloy is a character that is incredibly likeable, the world is stunning, and the bow may be the best bow in gaming. I can’t wait to see where this series goes next.
11 - Hitman 2
While many other games offer the biggest maps possible, Hitman nails a dense map better than anyone. It is so much fun to jump in, play a level that I’ve played 4 times before, and find entirely new ways to take down my target that I had no idea existed. It’s also brilliant how they allow you to import your Hitman 1 levels into Hitman 2, creating one large hub for all of your content, and they’re continuing this with Hitman 3; more studios need to learn from what IO pulled off here.
12 - Metal Gear Solid V: The Phantom Pain
What other game lets you tranquilize an enemy, attach a reverse-parachute to them, so that they can join your engineering team? What other game lets you take a water pistol on a quest with you so that you can shoot out electronic systems, or even play audio of someone taking a dump while you hide in a port-a-potty undetected? MGS V is the pinnacle of letting you experiment with crazy gameplay ideas in a mature, AAA universe.
13 - Dying Light
On a console where zombie games seem to be a dime-a-dozen, Dying Light found a way to stand out by marrying a fantastic parkour system with a great crafting system within an impressive sandbox. If you want to really crank up the intensity, head out at night to hunt zombies. What pushes the game over the top is how great the developers have continued to support this product over the years, releasing a variety of free updates and the must-play The Following DLC.
14 - Rocksmith 2014
As an amateur guitar player, Rocksmith became an essential piece of content for me. The amount of DLC that was released for this game was staggering, over 1,500 tracks. It’s a ton of fun to learn a new track and jam along with your favorite tunes, there’s something for everyone in the library.
15 - Fallout 4
Where Fallout 4 really delivered was in the amazing world building. There aren’t many games that are quite as satisfying to pair up with a companion (13 on offer) and just explore for the sake of seeing what’s out there. Being able to explore essentially every building, loot almost everything, and get better stats is a really satisfying power grind.
16 - Wolfenstein: The New Colossus
If you want an over-the-top roller coaster ride with insanely pulpy scenes along the way, The New Colossus offers this in spades. An absolute thrill ride filled with shock and awe that would feel at home in a Tarantion movie. Along with that, it’s the one game that stirred “controversy” by promoting that it would “Make America Nazi-Free” again, unbelievable.
17 - Assassin's Creed Odyssey
For my money, this is the best version of Skyrim made by someone not named Bethesda this generation. They’ve succeeded in creating an endlessly huge, beautiful map filled with fun activities along the way, paired with a satisfying gear grind. Bringing in the mythological elements like battling Medusa sets the series apart from the pack.
18 - The Outer Worlds
Having another studio straight-up challenge Bethesda at creating a Fallout that leans further into RPG elements made this title very exciting. Outer Worlds really nailed their balance of “scope and budget”, not overextending themselves like some other RPG makers have. It’s really nice to be able to play a funny, Fallout-lite RPG, and having a full RPG that is maybe a dozen hours.
19 - Divinity Original Sin 2
The opening dozen hours of DOS2 are among my favorite “levels” in games that have come out this generation. The level of depth involved in this RPG is absurd, and the character creation toolset is as good as I’ve seen in any game. Truth be told this is the one game on this list I have not finished, but escaping Fort Joy 3-4 times (because I keep restarting the game!) has shown me how much attention to detail has been poured into this game by Larian.
20 - Dead Cells
This is one of the most white-knuckle, tense experiences I’ve had. The loop of Try > Die > Repeat isn’t my favorite loop generally, but the combat in this game is so satisfying and air tight that I couldn’t help but keep giving this just one more try until I finally after many hours beat the last boss and breathed a massive sigh of relief. I’m excited to see what this studio makes next.
21 - The Evil Within 2
For me the top tier of action-horror games are Resident Evil 4, Dead Space, and The Evil Within 2. The combat feels great, the tone is tense, and the art design is fantastic. If you like Action-Horror, don’t sleep on The Evil Within 2.
22 - Ratchet & Clank
What a beautiful, funny game with way better action than it has any right to have. The weapons in this game are explosive, hilarious, and everything in between. Some prefer Spider-Man, but for me this is Insomniac’s best game to date.
23 - Night in the Woods
If you’re looking for a game oozing with unadulterated charm, nothing touches Night in the Woods on the PS4. This game at first looks like a cute game about hanging out with friends, but the story has some real depth as it unfolds touching on topics rarely tackled in the AAA space. Plus there’s a mini-game where you just grab a slice of pizza, delightful.
24 - Steamworld Dig 2
A simple game about digging, and collecting loot. Incredibly relaxing. Immensely satisfying.
25 - Firewatch
A stunningly beautiful game where you live in a state park. Exploring the woods and seeing the sights is a great substitute for going outside. The real hook is the relationship you build with a neighboring park ranger, as the theme of escapism is explored by both you and our character.
26 - Until Dawn
Perhaps the best reimagining of a teen-slasher film put into a video game format. The motion capture of the characters is incredible. The fun game of trying to keep the whole cast alive makes you feel like you are involved in a slasher flick yourself.
27 - Nier Automata
Playing as androids, Automata does a great job in shifting the players perspective in a variety of ways. Having the hack & slash combat shift camera perspectives to essentially every perspective imaginable keeps the gameplay feeling fresh and novel. Shifting the perspective of who you are playing lets you see the story through another lens, making this a story that is best told in the medium of a video game.
28 - Tetris Effect
One of the most immersive, “in the zone” games I’ve ever played. Best experienced with headphones, no distractions, fully tunneled into the universe created a hypnotic, zen-like experience where your brain is transferred to another world as your muscle memory takes over flipping the tetris pieces into position. Nothing like it.
29 - Tony Hawk Pro Skater 1+2 Remake
Tony Hawk on PS1 is one of my all time favorite games, so having the first two games remade for the PS4 is a nostalgia dream come true. Having all the skaters freshly motion captured, a fresh, updated soundtrack, while capturing the feel of the original games makes me feel like a teenager again. I’d love to see this bring the Tony Hawk brand back to life.
30 - Inside
An incredibly haunting atmosphere with superb animations. Add in the bat-shit crazy ending, and you have an absolute must-play. A perfect follow up to their prior game, Limbo.
31 - Assassin's Creed Origins
After the AC series grew a bit stale, Ubisoft took a year off and overhauled the formula. The result was Origins. This was an incredibly welcome change, ushering a new breed of Assassin’s Creed games.
32 - Prey
This sci-fi sleeper gem of a game picked up the slack where System Shock and Bioshock left off. What makes Prey shine is the amazing, unique weapons like the Gloo Gun paired with a mysterious story to see through. Prey has one of the coolest opening hours of gaming this generation, an incredibly memorable subversion of expectations.
33 - Days Gone
Perhaps the most underrated game of the generation. An epic open world with some of the most impressive zombies this generation. Setting 50+ zombies ablaze with a well placed molotov is wildly satisfying, and the story does a great job pulling you forward in the hunt to see what exactly happened to your wife making a variety of friends and enemies along the way.
34 - Sekiro: Shadows Die Twice
Coming in as the most challenging game I have ever finished, Sekiro has the most memorable boss fights on the PS4. The Guardian Ape is maybe the wildest boss I’ve ever beaten in a game. Sekiro executed with laser precision their air tight combat in their side-step from their RPGs they are known for.
35 - Red Dead Redemption 2
Possibly the most beautiful open world game on PS4, from the landscapes to the animations to the modeling of the guns. But what makes this game a must-play is the cast of characters. Getting to know Arthur Morgan, and seeing John Marston’s past in this prequel makes for a special experience.
36 - Dragon Age Inquisition
The first big RPG on PS4, Inquisition’s massive world rife with it’s RPG hooks was a joy to play through when the PS4 launched. Questing, looting, recruiting companions, closing rifts, slaying dragons, DA:I was a great time sink. Here’s hoping Bioware can return to form with Dragon Age 4.
37 - Ghost of Tsushima
Sucker Punch really nailed their art direction in this open world samurai game. The combat is tight, and it feels great to slice through enemies in a dual. This will be a series to watch on the PS5.
38 - Resident Evil 7
Resident Evil 7 may be the straight up scariest game I’ve played on the PS4. Being trapped with a family of hillbillies in this disgusting nightmare of a game has never looked more beautiful. Don’t eat the food in the fridge.
39 - Uncharted 4
What an amazing send-off to Nathan Drake, this is how you complete a characters story thread. I enjoyed the slower start and the more personal moments with Drake in Uncharted 4 to mix up the over the top set pieces. The best Indiana Jones-style blockbuster gaming.
40 - Borderlands 3
This game still delivers the loot, mayhem, and over the top absurd humor the series is known for. I’m looking forward to going through it all again on the PS5 with their free next-gen upgrades. With all the DLC that has come out, and all the DLC continuing to come out, there’s always more to keep me coming back.
41 - The Division 2
Satisfying loot. Tight gunplay. Impressive maps.
42 - Little Nightmares
Spooky dark tone. Beautiful art direction. Nightmares induced.
43 - Life is Strange
One part teen melodrama, one part supernatural time shifting. In a landscape where so many games are based on superheroes or shooting bad guys in the face, Life is Strange was a welcome breath of fresh air. I appreciate how Dontnod evolved what Telltale started with their massive hit The Walking Dead, and put their own spin on the formula with better controls and a relatively down to earth cast.
44 - Detroit: Become Human
Detroit has taken the idea of a “choices matter” game and actually made a game with truly branching choices. Their flow-chart system they built to show all the choices you could have made is a touch of brilliance, and the technical execution of the visuals is stellar. Quantic Dreams is a studio that has set a new high bar for the genre in their technical execution with Detroit: Become Human.
submitted by dontsniffpaint to patientgamers

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