Key generator fear 2 patch 1 03 games

Introduction - Video
I started making videos for a close friend of mine. We were both trying to get better with minimal playtime. His interest in my play-style, thoughts and theories is what inspired this. It seems this information could help others too. Mainly those who struggle and lose confidence after each unsuccessful run or simply when “Shit hits the fan”.
If this helps you, I'm glad. I'm no pro so don't expect anything crazy here. My mechanical skill is basic at best, If you’re looking to improve something like your aim, I recommend “Kovaak’s Aim Trainer”.
Twitch - Since I have more time and a growing following. I'll be doing some theory crafting live too.
Fundamentals
The point of this document is to simplify your decision making to very simple, but effective train of thought in the heat of combat. Hopefully preventing or lessening bad decisions, due to being under pressure. This isn’t about becoming a master of anything specific. Such as the character you use, or mastering your favourite map. If anything it’s about becoming a master of “basic fundamental” play. Which in my opinion is what all struggling players lack... Fundamentals.
Below you will find a series of examples videos, showing in game what some of these tips look like in a match. Along side these clips I'll do my best to provide commentary to make things easier to digest. Forgive me as the footage is very basic. The point of these aren’t to make cool engaging content. It’s purely for me to communicate my thoughts, and show ingame examples of what I have written in this thread. This is about sharing knowledge and ideas.
My question was “So what do fundamentals in Apex look like?” To find and understand the answer to this, I decided to take a look into the most common attributes of Apex Legends. Specifically thinking... ”In an average game, what often happens and what can I do to beat it?”
Below I have tried to share what I believe are some serious factors to think about. I fear that the better I become, the harder it’ll be to provide first hand footage. I say this because, I‘ve noticed myself ironing out these habits pretty fast. Showing the solution is way less effective, than highlighting the mistakes in my opinion. In general I'll try to show my mistakes before hand, so the solution clips make more sense.
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Common Mistakes / Bad Habits
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Mistake 01: Taking unnecessary damage in shootouts Video Example
The most common times this happens is when you:

1. Decide to return fire when being shot upon. (Return Fire)
2. Shoot at an enemy, and proceed to shoot once they react and shoot back. (Trade Fire)
3. Challenge an opponent. Basically when you do not “choose” to back down from a fight.

Solution: Build the habit of “Backing Down” / “Taking Cover” once an enemy looks/aims/fires at you. This sounds very simple, but it takes great discipline at first. Click the links below for ingame examples of this.

• Example 01 - w/Commentary
• Example 02 - w/Commentary
• Example 03

Strafing is something you want to do when you’re out of options. Taking cover is the absolute best way to avoid bullets... right?
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Mistake 02: Missed Opportunities Video Example
Not knowing when the most safe and effective time to attack or push is during combat. If you find that in most of your games, you’re the last man standing before you even get to fire a shot. It’s probably safe to say, you’re missing a lot of opportunities to fight back that your teammates create.
Solution: Pay close attention to your enemy and team. Fire back while the enemy is focused on another target. Immediately take cover when you’re the focus when possible.

• Example 01 - w/Commentary
• Example 02 - w/Commentary
• Example 03 - w/Commentary

This seems to be my favourite of the fundamentals to master. Expect lots of examples to be based on this idea. I often find myself wishing I were a bit quicker when trying to apply this concept. Do not try to be in two places at once, some opportunites are simply our of reach or too dangerous to take advantage of.
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Mistake 03: Dangerous Looting
This common mistake often happens when you first drop with enemies nearby. Often picking up everything you see in hopes that you’re comfortable before any engagement happens.
Solution: Upon dropping prioritise these 3 objectives.

• A Weapon.
• Armour.
• Grouping with your team.

If you enter a room that doesn’t have any of these in sight, become Sonic and run to another place. Spending time picking up items that won’t help you once that inevitable fight starts will only have you cursing “There was no loot" and how unlucky you were. When maybe you should have turned around and tried another spot instead of picking up everything in that room. This is a hard habit to notice, but very easy to break.

• Example01 - w/Commentary

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General Combat Knowledge
Baiting And Switching (With Randoms)
This is simply you taking advantage of what we covered above, but being hyper sensitive and vigilant about it. If you’re lucky enough to have experienced teammates, you’ll end up creating what I’m going to call a “Bait and Switch Vortex”.
This method of combat seems to be ideal, especially when you’re not too confident in making advanced plays. The two key attributes you will need to excel with this fundamental are AWARENESS and PATIENCE.
Awareness regarding:

• Team Positions and Actions
• Enemy positions and Actions
• Shots fired.

Patience regarding:

• Being able to take cover when fired at.
• Observing and waiting for shots to be fired.
• Playing close attention to the Activity or inactivity of your teammates and the enemy.

If your team decides to fireback, this increases your chances to also fire shots without being aimed at. The moment you sense being fired upon, return to your cover. If this is done successfully then you performed a very handsome “Bait and Switch”. If you manage to repeat the process multiple times on the same target, this is what I like to call the Bait and Switch Vortex.

• Example 01 - w/Commentary
• Example 02 - w/Commentary

The Vortex should happen naturally if you’re paying attention. Your teammates will also take cover and then return fire once you take the heat ffrom them... (For the most part). It’s very difficult to deal with for the opponent who’s bent on "out gunning" you. This is easier to perform than you may think. If you’re struggling, work on your positioning around your team and be "Aware & Patient".
If you get rushed down constantly, I’d say you’re probably in a positions where your team couldn’t return fire while the enemy focuses on killing you. This goes back to being aware of your teammates throughout this ordeal.
Video examples coiming soon~! (However you will see examples of this in the other videos since all of this is related)
Extra Notes:
Your teammates often do not communicate what they plan to do, often they probably don’t even know since we play with intuition and feeling. It takes a mere second for them to shoot then run away from the fight, leaving you free to be rushed down. It is your job to be aware and notice their behaviour in a fight.
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Understanding Crosshair Placement
When it comes to your aim/accuracy believe me when I say “Tracking isn’t everything”. It’s in our nature to want to land every single bullet. Often we end up moving our crosshair trying to match the target’s movements as close as possible ending up with a total mess. I suffer from this too. However! In some very familiar scenarios which used to haunt me, I’m able to execute a different approach.
Firstly imho... We are dealing with a lot of relatively slow projectile speeds. To account for this, we’re going to attempt in increasing our success rate with focused intuition and educated guesswork.
Common Scenario: At Mid toLong range distance, an opponent strafes in and out near cover, peek shooting but never fully going behind that cover. Trying to track his movements left and right, you’re most likely going to miss most of these shots due to projectile mechanics. (This is just scenario, not every situation)
Solution: Pinpoint a spot or a general area your target is strafing in and out of. Keep this area tight! Then fire your shots there. Effectiveness is increased the more you understand what your opponent’s strafe pattern or intention is. This concept may be easier to understand if you imagine trying to shoot a strafing target through a door or window. This is also applicable when the target is strafing at a distance without any cover.

• Example 01 - w/Commentary
• Example 02 w/Commentary ( This example showcases quick close range versions)

Know when to track your shots and when not to. The further your target is, the more predicting you’ll be doing than actual tracking and clicking. It’s ok to let them bullets fly, a great weapon to practice this with is the G7 Scout.
Extra Info: Everyone can apply this, it’s more about knowing “when” to apply it. This does have its uses even at very close distances. However it’s main purpose is when you’re dealing with longer ranged targets... Composure is your friend.
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General Aiming: Habits
Here I'm going to share basic ideas of what I believe is the cause of some bad aiming habits. Also what we can do to improve it.
Shakey Aim
Here's a clip of what I'm trying to eliminate. Example.
After doing a simple exercise routine for only 5 - 10mins before I play, I noticed some significant improvements. Example 01 - Example 02
There are many factors I believe that makes a player shake his aim when trying to track a target. Though I'm not 100% sure, here is what I believe happens to me:

• I'm subconsciously trying to control the recoil, or rather subconsciously reacting to it.
• I’m also trying to track the movements of my opponent.

The problem is! When tackled in this manner, these two objectives do not go well together.
Solution: Get used to the feeling of controlling the recoil, both mentally and physically. To do this follow this simple exercise. "Must Watch"

• Focus on applying no more than the gentle motions you’ve, accustomed yourself to in the firing range. (This is not about learning recoil patterns. Rather taming your behaviour to them.)
• Track the movements of your target as you normally would.

After a few successful "One Clip" attempts, you should start to understand how much force is ever going to be needed to control your recoil. Thus all or efforts can now be placed on tracking and calmly adjusting to the target. This knowledge will not improve your clicking or tracking if it is already sub par, however it could help clean up some messy moments if you find yourself still having them.
Here's footage of me doing this. Example
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Positioning During Combat - WiP -
Being able to understand position comes down to your ability of analysing any current situation and your “options”.
Think of it this way. A good position should typically consist of these factors:

• A view of the target
• Environmental Cover
• Retreat options

Always be aware of your environmental cover and use it as much as possible.

• Example 01 - w/Commentary
• Example 02 - w/Commentary
• Example 03 - w/Commentary

Whether you have a good or bad position will change depending on where your team is and where your opponents are. Whoever has the most options, most likely will have the better position. Your aim is to constantly adjust your position to increase the odds in your favour. You’ll find that your positioning in conjunction with your teammates, is what creates good positions more than the actual environment.
A great way to “Check” an opponent is to place yourself in a position where they fight on your terms only. Though this is not always possible, in some cases you can seize control very convincingly if you’re quick enough to notice the opportunity.

• Example 01 - w/Commentary

What happens in Chess when your opponent "Checks" you? Same thing in Apex, you’re forced to move.
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Understanding The Flow Of Combat
In other words, respect for the game. Almost always whenever you engage with the enemy, the only way to successfully win that particular engagement, all depends on the mistakes "they" make. You’re constantly looking for opportunities to punish, and throughout the game you are also being punished for your own mistakes. The moment you “lose yourself”, you increase your chances of self destruction.
The example clips below are all from the same match. It’ll showcase my efforts to understand the current situation during the match. Also while using voice chat to relay my actions and concerns over the mic. (I was never sure if they could hear or understand me, however they played very well.) In the last clip, notice how I “Over Peek'' and "challenge". This essentially ended up losing us the game. I in a sense “lost myself” due to the pressure. To which the Apex gods looked down upon thee and punished thy nonsense! This is common to Apex and won’t be changing anytime soon. If you start to understand this and work towards gaining discipline and composure, my best guess is it will start paying off immensely.

• Example 01
• Example 02 - (Irrelevant) Horror Story This Blunder happened during the match.. Scary Stuff.
• Example 03

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If evenly matched or very close in skill level, your ability to stay alive, be patient and play accordingly in a stalemate, is probably going to be your biggest asset the higher your level of games become. Punishing opponents will become second nature. Focus on your fundamentals. You wont be able to improve if you play too safe/passive. Like anything in life you will have to take action. Experience will turn into performance. This will take a lot of practice.
In the clip below, watch it and try to notice where the basic fundamentals are used. Focus on all players, me, my team and also the opponents. By now the basics should be easier to digest.

• Example - w/Commentary

If it makes you feel better, I’m working on ABSOLUTELY EVERYTHING I’ve written in this thread... I’m struggling too. This game is amazing and depressing at the same time lol.
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Putting it All Together (Damage/Action Over Healing)
Now this one isn’t easy, it’ll rely heavily on your mechanical skill AND very heavily on how well you can avoid incoming damage. The entirety of your understanding regarding the fundamentals will be tested to your absolute fullest, and will probably have you more focused on the game than your RP or stats.

• Avoiding Damage to your absolute best potential.
• Being “Hyper Sensitive” to your teammates actions.
• Capitalising on as many opportunities as possible.
• Understanding “Moments of Rest”.

This section will imply “Action” being more important than healing. However the ambiguity of these moments might be the hardest thing to comprehend. Choosing to act over healing might be the most uncomfortable feeling when starting out.
Moments of Rest - How many times have we been downed while healing? How many times have you shot a player who’s healing? Plenty right? Join the club.
Well this topic has a bit of ambiguity sprinkled all over it. Whether you should heal to have the upper hand, vs being ready to shoot all depends on… You guessed it. Your opponents and enemy’s actions. Breaking the habit of healing is a tough one, as having more health, seems to generally be the smarter and safer play. Or is it? Ultimately the decision whether or not you should heal, will all depend on your judgment. But through trial and error, we should be able to get a decent understanding of the dos and don'ts.
Example 01 - w/Commentary
Example 02 - w/Commentary
Example 03
If your actions begin to feel more mathematical or calculated… Congratulations! You’re most likely building a great understanding of all of this and are already able to be a consistent contender in most of your matches.
Extra Notes: At times there will be moments of “inevitable death”, either of you or your opponent. I believe your main goal should be, to have as much health as possible before this moment is apparent. Your job is to play in a way that will gain the advantage before these moments are created. Lessening the risk and gamble factor of going into fights evenly matched. This will require a great understanding of how and when to fight, throughout the entirety of your match. Again… this one is tough.
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The 4 Major Phases (In Order)
~ Understand the phases and learn how to identify them, I cannot stress this enough. ~
Below I have attempted to simplify a way of understanding the complexities of what goes on, in a match of Apex Legends. Please watch the videos as they complement this segment very well. The whole point of breaking down your endevours into phases, allows you easily pinpoint where these vital moments are. Thus giving you greater understanding on how to approach the situation.
Phase 01 : At Ease
This is simply when you’re holding a position, or moving without any signs of an immediate threat. In this phase you typically only need to be alert. How you react to things will determine how fast you move through the phases.

• Example 01 Pretty clear right...

Phase 02 : Imposition
To threaten or receive a threat from another party. Moments of rest and other somewhat relaxing forms of engagement will happen here. It is very possible for these phases to fluctuate in a back and forth manner. This one can be very ambiguous and subtle. Whether shots are being fired or not, it can be more of an imposition than a battle. Gaining a kill or knock in this phase is very lucky. Understanding the difference between Phase 02 & 03 is essential.

• Example 01 - w/Commentary
• Example 02 - w/Commentary
• Example 03 - w/Commentary (Phase 2 to 3 Transition)
• Example 04 - w/Commentary (Phase 2 to 3 Transition)
• Example 05 - w/Commentary (Phase 2 to 3 Transition)

Phase 03 : Engagement / Battle
This is when more sincere attempts are made, to inflict damage and gain the advantage in some shape or form. This is where conserving your health will matter the most, as you may not get that divine “Moment of Rest” until the “Finale” is over. It is also very possible to obtain knocks and kills in this phase. Pay close attention to your teammates as it is very common for these phases to happen individually between members of your squad. This comes back to the “Missed Opportunities” topic. Understand the difference between Phase 03 & 04. The fight can feel so intense and personal yet still not be a Phase 04 situation. Focus on Avoiding Unnecessary Damage here the most!
A “Moment Of Rest” can happen during Phase 03. Nothing is stopping you from healing during a battle, just be aware that doing so may not be the best option for those who might be in a very intense Phase 03 or entering Phase 04. Damage Over Healing is often the preferred option.

• Example 01 - w/Commentary
• Example 02 - w/Commentary
• Example 03 - w/Commentary (Phase 3 to 1 Transition)
• Example 04 - w/Commentary (Phase 3 to 4 Transition)
• Example 05 - w/Commentary (Phase 3 to 4 Transition)
• Example 06 - w/Commentary (Phase 3 to 4 Transition)

Phase 04 : Finale
This is when you force, or are forced to fight to the death. Your options will be significantly limited. Phase 03 is where you have the most opportunity, to gain the advantage leading to this moment. There is no need to enter Phase 04 in a hurry every time you see a team or even deal some significant damage. Try to have a plausable reason to do so.

• Example 00 - w/Commentary (Subtle Example)

When you choose to rush in for a fight, you’re most likely skipping the Engagement/Battle Phase. Thus putting it all on the line, leaving no room for error. This will work in your favour, once you’re significantly ahead of your opponents in skill. Until then, assess the situation.
If you’re Soloing ranked, be aware that you will often not have the privilege of deciding what Phases your team will enter and when. It is more your job to understand what phases are taking place between whom and where. Playing fundamentally perfect will not guarantee you a good game, high kills or high damage. What it will guarantee is consistency and overall understanding. Which you can then use to further develop your own playstyle. There are simply too many variables in a game like Apex Legends, especially if you’re Solo Queuing.
Full Match
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When to Break Fundamentals / Making plays
As you get better, more confident and built some strong familiarisation with situations, you’ll be more equip to bend or break these fundamentals due to other factors. Luckily there is a safeway to practice this by understanding the risk/reward involved.
The most basic of plays would be to aggressively charge an opponent, disregarding everything written above because the odds are in your favor such as, they’re the last member alive and your team is only a second away.
Whatever it may be, your comfort will be determined by how high the “Risk Factor” is. If failing a play means your team gets eliminated, well you’re going to feel some serious stress. Breaking fundamentals will come naturally as you improve as a player. Understanding your fundamentals will naturally increase your gamesense and understanding regarding this topic.
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Self Analysis and Theory Crafting
In this section to show you how I go about analysing my experience in apex legends. With the NVIDIA GeForce App, I can effortlessly save the last 3 mins of my screen time with a simple click of a button.
After each death or encounter, I can simply tap this button and have it ready for viewing after the match. It’s always good to review a clip right after the game. Simply because you will have a much easier time recalling your thoughts and emotion on the matter, rather than if you did it after a series of games or a completely different day.

• Example 01 - Without Commentary
• Example 02 - Without Commentary

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Hopefully this will shed some light on the reality of what learning and analysing looks like. This is important because you may be on the right track already, but if you base it all upon your K/D or win ratio, you’ll end up missing the point and probably feeling frustrated. The more mistakes you make, the more opportunities there are for improvement. You’ll have to be your own support, allow yourself to fail and also encourage creativity. Ideas and theories are good, keep them! What might not work now may become your only option in the future. Think of your process as creating ideas, not rules. If some of these ideas happen to work consistently, then you can consider making it a rule.
Feel free to create your own terminology. An easy way for you to self talk while you’re playing can be a powerful tool, to help free you from tunnel vision.
This might be the most important part of this thread. As it will assist you in helping yourself and ultimately build your confidence as a player in the long run.
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All vids will be kept on YouTube in this playlist. Feel free to access at your own leisure.
Getting Better Slowly (Youtube Playlist)
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Spot the Fundamentals.
Become a great observer! Go off and watch games of your favourite players. Try to point out where some of these fundamentals are used and why. Regardless of skill, you'll see they often apply these fundamentals. Especially in those competitive tournaments. Feel free to use the clips below.
Spot The Fundamentals Playlist
Don't just watch them, analyse and point out where I did and did not apply the fundamentals. This actually a great way to practice.
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~ I just want to clarify. This is not a "How to win guide". It's simply to help build good habits. ~
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Please Read : If you guys are interested in practicing this stuff with me, feel free to add me on Origin "EtroHxH". Please don't add me if your rank is important to you. It might sound crazy but I don't care for it. I just like playing ranked for the competition. Climbing and dropping in RP doesn't bother me at all. That being said, if you dont mind losing and practicing is also your priority, please add me.
Due to the restrictions in ranked I will have my current rank here : Platinum EU
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Note: I'll be updating (editing) this post as time goes on. Be sure to save/bookmark this page if you're interested. I write most of this on my phone on my way home from work, so if there are any mistakes or typos, it may be 24hrs or longer before I fix! At best I get to play for about 2 hours here and there. I always and only play ranked lol. However working on this "guide" has motivated me to play more. So who knows how much this shall grow. Feel free to message me here or DM I'll do my best to respond. I'm just like you, I'm not an amazing player so if I can find "some" success, so can you.
Last Update/Edit (5 Recent Edits):

• *Added "*The 4 Major Phases" (A must read!) 26 Nov 20
• Removed "Training Regime" 26 Nov 20
• *Added "*Shaky Aim" 22 Nov 20
• Added "Training Regime & Added Clips" 18 Nov 20
• *Added "*Understanding The Flow Of Combat" - Added Videos. Edited the "Fundamentals" Section under "Introduction". 14 Nov 20

Hey everyone, great to be back again. Some of you might remember a similar title from a post I made back in April, where I made a list of the top 250 movies with 13 sources, or a preview of this list I made last month.
I want to emphasize that this is NOT an official ranking nor my personal ranking; it is just a statistical and, personally, interesting look at 500 amazing movies. These rankings reflect the opinions of thousands of critics and millions of people around the world. And I am glad that this list is able to cover a wide range of genres, decades, and countries. So before I get bombarded with "Why isn't X on here?" or "How is X above Y?" comments, I wanted to clear that up.
I sourced my data from Sight & Sound (both critic and director lists), TSPDT, iCheckMovies, 11 domestic websites (Rotten Tomatoes, Metacritic, IMDb, Letterboxd, TMDb, Trakt, Blu-Ray, MovieLens, RateYourMusic, Criticker, and Critics Choice), and 9 international audience sites (FilmAffinity, Douban, Naver, MUBI, Filmweb, Kinopoisk, CSFD, Moviemeter, and Senscritique). This balance of domestic/international ratings made the list more well-rounded and internationally representative (sites from Spain, China, Korea, Poland, Russia, Czech Republic, Netherlands, and France).
As for my algorithm, I weighted websites according to both their Alexa ranking and their number of votes compared to other sites. For example, since The Godfather has hundreds of thousands of votes on Letterboxd but only a couple thousand on Metacritic, Letterboxd would be weighted more heavily. After obtaining the weighted averages, I then added the movie's iCheckMovies' favs/checks ratio and TSPDT ranking, if applicable. Regarding TSPDT, I included the top 2000 movies; as an example of my calculations, Rear Window's ranking of #41 would add (2000-41)/2000=0.9795 points to its weighted average. I removed movies that had <7-8K votes on IMDb, as these mostly had low ratings and numbers of votes across different sites as well. For both Sight & Sound lists, I added between 0.5 and 1 point to a movie's score based on its ranking, which I thought was an adequate reflection of how difficult it is to be included on these lists. As examples, a #21 movie would have 0.9 points added while a #63 would have 0.69 points.
So without further ado, the statistical top 500 movies ever made. I separated the scores into overall, critics, domestic, and international columns to make comparisons easier. This list on Letterboxd.

Ranking	Title	Overall Score	Critics	Domestic	International	Year	Director
1	The Godfather	93.89	97.73	90.50	89.36	1972	Francis Ford Coppola
2	The Godfather: Part II	91.93	93.30	89.04	88.06	1974	Francis Ford Coppola
3	Seven Samurai	91.05	97.38	87.63	85.90	1954	Akira Kurosawa
4	12 Angry Men	90.45	95.45	88.74	88.62	1957	Sidney Lumet
5	City Lights	89.94	96.75	85.67	85.93	1931	Charlie Chaplin
6	The Good, the Bad and the Ugly	89.45	91.20	87.81	86.59	1966	Sergio Leone
7	The Shawshank Redemption	89.41	82.95	89.49	89.18	1994	Frank Darabont
8	Psycho	89.29	95.23	85.70	85.01	1960	Alfred Hitchcock
9	Modern Times	89.28	95.55	85.21	85.37	1936	Charlie Chaplin
10	Schindler's List	89.08	93.80	87.22	87.29	1993	Steven Spielberg
11	Pulp Fiction	88.85	92.60	87.69	86.42	1994	Quentin Tarantino
12	Rear Window	88.63	97.65	85.40	83.33	1954	Alfred Hitchcock
13	One Flew Over the Cuckoo's Nest	88.55	87.38	86.28	86.97	1975	Miloš Forman
14	Apocalypse Now	88.54	93.85	85.24	83.48	1979	Francis Ford Coppola
15	Tokyo Story	88.49	98.30	85.16	83.76	1953	Yasujirō Ozu
16	Spirited Away	88.34	93.78	86.80	85.91	2001	Hayao Miyazaki
17	GoodFellas	88.03	91.48	87.00	84.03	1990	Martin Scorsese
18	Vertigo	88.02	95.60	84.05	82.76	1958	Alfred Hitchcock
19	Singin' in the Rain	88.01	97.65	83.95	83.13	1952	Gene Kelly, Stanley Donen
20	Sunset Boulevard	88.00	95.45	85.44	84.22	1950	Billy Wilder
21	Citizen Kane	87.83	99.03	83.06	82.22	1941	Orson Welles
22	Harakiri	87.79	85.83	88.00	86.29	1962	Masaki Kobayashi
23	Rashomon	87.74	96.55	83.52	82.73	1950	Akira Kurosawa
24	Once Upon a Time in the West	87.71	86.65	85.48	84.62	1968	Sergio Leone
25	Fanny and Alexander	87.54	97.30	83.15	83.00	1982	Ingmar Bergman
26	The Lord of the Rings: The Return of the King	87.40	92.59	86.06	85.38	2003	Peter Jackson
27	Andrei Rublev	87.39	91.90	83.80	83.94	1966	Andrei Tarkovsky
28	The Passion of Joan of Arc	87.39	94.65	83.88	83.57	1928	Carl Theodor Dreyer
29	Sherlock Jr.	87.36	96.45	83.64	85.60	1924	Buster Keaton
30	Bicycle Thieves	87.35	94.70	83.91	83.46	1948	Vittorio De Sica
31	Casablanca	87.35	98.00	85.25	82.62	1942	Michael Curtiz
32	Some Like It Hot	87.28	95.30	82.11	83.73	1959	Billy Wilder
33	Persona	87.22	88.20	84.28	83.07	1966	Ingmar Bergman
34	Children of Paradise	87.21	95.33	84.81	83.27	1945	Marcel Carné
35	Taxi Driver	87.14	93.88	83.60	82.06	1976	Martin Scorsese
36	The Dark Knight	87.08	88.81	86.96	84.80	2008	Christopher Nolan
37	Metropolis	87.03	96.00	82.92	84.01	1927	Fritz Lang
38	Sunrise: A Song of Two Humans	87.02	93.95	82.23	84.02	1927	F. W. Murnau
39	Stalker	87.02	92.30	83.86	83.29	1979	Andrei Tarkovsky
40	Pather Panchali	86.96	94.35	84.40	82.80	1955	Satyajit Ray
41	Lawrence of Arabia	86.95	97.65	83.76	81.49	1962	David Lean
42	M	86.91	96.20	84.34	82.92	1931	Fritz Lang
43	Ordet	86.82	98.10	83.08	82.55	1955	Carl Theodor Dreyer
44	It's a Wonderful Life	86.77	90.45	85.17	84.90	1946	Frank Capra
45	Satantango	86.76	90.45	84.58	84.21	1994	Béla Tarr
46	Parasite	86.72	96.34	86.55	83.15	2019	Bong Joon-ho
47	The 400 Blows	86.70	96.70	83.14	82.60	1959	François Truffaut
48	Ikiru	86.56	93.80	85.48	84.29	1952	Akira Kurosawa
49	Mirror	86.50	95.60	82.75	82.34	1975	Andrei Tarkovsky
50	Come and See	86.50	90.50	85.22	83.13	1985	Elem Klimov
51	The Apartment	86.48	92.00	84.09	82.99	1960	Billy Wilder
52	The General	86.45	91.45	82.59	83.87	1926	Buster Keaton, Clyde Bruckman
53	Grave of the Fireflies	86.43	95.13	85.85	82.97	1988	Isao Takahata
54	Le Trou	86.41	89.95	85.46	85.14	1960	Jacques Becker
55	The Battle of Algiers	86.37	95.40	82.64	81.24	1966	Gillo Pontecorvo
56	A Man Escaped	86.34	96.50	83.67	82.03	1956	Robert Bresson
57	Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb	86.34	95.85	84.37	83.03	1964	Stanley Kubrick
58	Paths of Glory	86.25	92.30	84.97	84.48	1957	Stanley Kubrick
59	The Lord of the Rings: The Fellowship of the Ring	86.24	88.75	85.61	84.31	2001	Peter Jackson
60	All About Eve	86.23	96.95	83.69	83.20	1950	Joseph L. Mankiewicz
61	Star Wars: The Empire Strikes Back	86.21	86.93	87.05	83.29	1980	Irvin Kershner
62	High and Low	86.16	86.55	86.08	84.26	1963	Akira Kurosawa
63	The Great Dictator	86.15	91.10	84.25	85.03	1940	Charlie Chaplin
64	The Silence of the Lambs	86.12	88.68	85.29	84.17	1991	Jonathan Demme
65	2001: A Space Odyssey	86.06	88.35	82.93	81.54	1968	Stanley Kubrick
66	North by Northwest	86.03	96.38	83.17	81.74	1959	Alfred Hitchcock
67	Double Indemnity	85.91	94.38	83.84	83.12	1944	Billy Wilder
68	Ugetsu	85.91	97.25	82.69	81.91	1953	Kenji Mizoguchi
69	Woman in the Dunes	85.91	93.95	84.71	83.77	1964	Hiroshi Teshigahara
70	Sansho the Bailiff	85.88	95.50	84.24	82.21	1954	Kenji Mizoguchi
71	Once Upon a Time in America	85.87	86.10	83.84	85.53	1984	Sergio Leone
72	City of God	85.86	84.08	86.39	84.00	2002	Fernando Meirelles, Kátia Lund
73	Late Spring	85.81	94.75	83.74	82.27	1949	Yasujirō Ozu
74	Barry Lyndon	85.80	87.95	82.44	82.30	1975	Stanley Kubrick
75	The Lord of the Rings: The Two Towers	85.78	88.78	85.00	84.29	2002	Peter Jackson
76	Raging Bull	85.77	90.48	82.01	81.80	1980	Martin Scorsese
77	Chinatown	85.72	94.08	83.32	80.69	1974	Roman Polanski
78	Alien	85.69	91.73	84.76	82.62	1979	Ridley Scott
79	Ran	85.68	94.70	83.93	82.52	1985	Akira Kurosawa
80	The Seventh Seal	85.67	92.10	83.52	82.13	1957	Ingmar Bergman
81	The Kid	85.61	92.85	82.91	84.94	1921	Charlie Chaplin
82	Wild Strawberries	85.51	90.05	83.38	82.24	1957	Ingmar Bergman
83	A Brighter Summer Day	85.50	93.38	84.07	81.01	1991	Edward Yang
84	8½	85.48	91.20	82.59	81.09	1963	Federico Fellini
85	The Pianist	85.38	88.69	83.31	84.80	2002	Roman Polanski
86	The World of Apu	85.38	93.20	84.38	83.09	1959	Satyajit Ray
87	La Dolce Vita	85.37	94.38	81.40	80.48	1960	Federico Fellini
88	Star Wars	85.33	90.03	85.22	81.92	1977	George Lucas
89	The Best of Youth	85.31	88.78	85.31	83.64	2003	Marco Tullio Giordana
90	The Gold Rush	85.29	94.55	81.93	83.59	1925	Charlie Chaplin
91	The Third Man	85.26	96.50	82.91	80.21	1949	Carol Reed
92	The Treasure of the Sierra Madre	85.20	96.68	82.77	81.81	1948	John Huston
93	I Am Cuba	85.18	93.60	82.00	83.44	1964	Mikhail Kalatozov
94	The Lives of Others	85.14	89.03	84.12	82.73	2006	Florian Henckel von Donnersmarck
95	Witness for the Prosecution	85.13	92.65	83.67	84.99	1957	Billy Wilder
96	Touch of Evil	85.11	95.70	81.36	79.65	1958	Orson Welles
97	WALL-E	85.10	92.09	82.82	82.64	2008	Andrew Stanton
98	Scenes from a Marriage	85.02	86.85	84.80	83.06	1974	Ingmar Bergman
99	To Be or Not to Be	84.99	89.58	82.52	83.39	1942	Ernst Lubitsch
100	A Separation	84.92	94.24	83.34	80.90	2011	Asghar Farhadi
101	The Night of the Hunter	84.91	96.93	81.17	79.06	1955	Charles Laughton
102	Three Colors: Red	84.87	96.78	83.32	80.78	1994	Krzysztof Kieślowski
103	Yojimbo	84.87	91.55	83.85	82.99	1961	Akira Kurosawa
104	Back to the Future	84.85	89.38	84.47	81.94	1985	Robert Zemeckis
105	My Neighbor Totoro	84.84	87.53	83.44	83.17	1988	Hayao Miyazaki
106	In the Mood for Love	84.84	83.87	82.55	81.20	2000	Wong Kar-wai
107	Princess Mononoke	84.83	81.18	85.02	84.24	1999	Hayao Miyazaki
108	Saving Private Ryan	84.82	90.35	83.94	82.50	1998	Steven Spielberg
109	Cinema Paradiso	84.78	82.30	84.73	83.43	1988	Giuseppe Tornatore
110	La Jetée	84.75	89.25	83.27	81.80	1962	Chris Marker
111	The Wages of Fear	84.71	94.60	82.99	82.80	1953	Henri-Georges Clouzot
112	Das Boot	84.68	90.13	83.62	82.71	1981	Wolfgang Petersen
113	Fight Club	84.65	71.18	86.39	84.95	1999	David Fincher
114	Nights of Cabiria	84.64	92.25	82.72	83.13	1957	Federico Fellini
115	La Strada	84.61	92.60	80.79	82.78	1954	Federico Fellini
116	Amadeus	84.53	89.55	82.88	82.59	1984	Miloš Forman
117	Forrest Gump	84.50	76.90	83.06	86.12	1994	Robert Zemeckis
118	Spider-Man: Into the Spider-Verse	84.49	90.41	85.03	81.69	2018	Peter Ramsey, Rodney Rothman, Bob Persichetti
119	The Lion King	84.45	88.28	77.22	84.09	1994	Rob Minkoff, Roger Allers
120	Inception	84.43	82.07	84.18	84.17	2010	Christopher Nolan
121	Whiplash	84.42	89.53	84.87	81.96	2014	Damien Chazelle
122	The Shop Around the Corner	84.40	94.43	80.85	82.37	1940	Ernst Lubitsch
123	Rififi	84.38	92.00	83.03	81.58	1955	Jules Dassin
124	Umberto D.	84.38	92.63	82.20	81.75	1952	Vittorio De Sica
125	Army of Shadows	84.37	95.30	82.98	80.50	1969	Jean-Pierre Melville
126	Blade Runner	84.34	85.85	82.57	80.29	1982	Ridley Scott
127	Samurai Rebellion	84.33	89.05	82.85	83.84	1967	Masaki Kobayashi
128	Close-Up	84.31	85.70	81.99	80.69	1990	Abbas Kiarostami
129	The Circus	84.29	90.35	81.69	83.14	1928	Charlie Chaplin
130	Raiders of the Lost Ark	84.19	89.33	84.31	80.57	1981	Steven Spielberg
131	Grand Illusion	84.18	95.35	81.85	79.78	1937	Jean Renoir
132	A Clockwork Orange	84.18	82.78	82.37	82.51	1971	Stanley Kubrick
133	Eternal Sunshine of the Spotless Mind	84.07	89.37	83.36	80.57	2004	Michel Gondry
134	A Woman Under the Influence	84.01	87.40	82.51	80.40	1974	John Cassavetes
135	The Cranes Are Flying	84.00	89.30	82.76	82.40	1957	Mikhail Kalatozov
136	Yi Yi	83.91	91.25	82.48	79.64	2000	Edward Yang
137	To Kill a Mockingbird	83.91	89.13	81.98	82.20	1962	Robert Mulligan
138	The Matrix	83.90	77.78	84.54	83.06	1999	Wachowski Sisters
139	The Sting	83.90	85.73	82.71	83.36	1973	George Roy Hill
140	The Mother and the Whore	83.87	94.55	81.24	79.82	1973	Jean Eustache
141	Se7en	83.86	72.15	84.91	84.48	1995	David Fincher
142	Early Summer	83.85	94.45	82.19	82.01	1951	Yasujirō Ozu
143	Werckmeister Harmonies	83.80	91.73	80.89	81.93	2000	Béla Tarr, Ágnes Hranitzky
144	Coco	83.80	86.21	82.73	83.66	2017	Adrian Molina, Lee Unkrich
145	Toy Story	83.76	95.03	82.30	80.15	1995	John Lasseter
146	It Happened One Night	83.76	90.83	81.46	81.76	1934	Frank Capra
147	Reservoir Dogs	83.74	84.68	83.12	81.99	1992	Quentin Tarantino
148	Unforgiven	83.73	88.55	82.24	81.59	1992	Clint Eastwood
149	The Deer Hunter	83.73	87.68	80.57	82.06	1978	Michael Cimino
150	The Young and the Damned	83.72	87.10	82.58	80.82	1950	Luis Buñuel
151	The Best Years of Our Lives	83.68	92.63	81.19	81.20	1946	William Wyler
152	The Leopard	83.66	97.30	79.56	79.57	1963	Luchino Visconti
153	Time of the Gypsies	83.65	86.05	83.31	82.29	1988	Emir Kusturica
154	Ali: Fear Eats the Soul	83.61	96.70	80.51	79.97	1974	Rainer Werner Fassbinder
155	Raise the Red Lantern	83.57	90.25	82.37	81.81	1991	Zhang Yimou
156	Terminator 2: Judgment Day	83.57	82.00	84.11	81.83	1991	James Cameron
157	The Shining	83.55	75.35	84.08	81.80	1980	Stanley Kubrick
158	Viridiana	83.54	92.95	80.68	80.81	1961	Luis Buñuel
159	Portrait of a Lady on Fire	83.52	93.59	83.08	80.02	2019	Céline Sciamma
160	Greed	83.51	97.05	80.65	80.64	1924	Erich von Stroheim
161	Gone with the Wind	83.48	92.90	80.01	81.68	1939	Victor Fleming
162	There Will Be Blood	83.48	89.65	81.91	79.02	2007	Paul Thomas Anderson
163	L.A. Confidential	83.46	91.63	82.08	80.81	1997	Curtis Hanson
164	Paris, Texas	83.46	83.95	82.89	81.66	1984	Wim Wenders
165	Throne of Blood	83.45	91.30	82.18	81.49	1957	Akira Kurosawa
166	Toy Story 3	83.43	93.55	81.61	80.32	2010	Lee Unkrich
167	Memento	83.43	85.20	83.78	80.76	2000	Christopher Nolan
168	On the Waterfront	83.37	93.00	82.23	79.52	1954	Elia Kazan
169	Trip to the Moon	83.37	94.70	79.96	82.83	1902	Georges Méliès
170	The Rules of the Game	83.33	96.55	80.45	78.02	1939	Jean Renoir
171	Red Beard	83.32	74.15	83.41	83.27	1965	Akira Kurosawa
172	The Grapes of Wrath	83.32	95.45	80.42	80.34	1940	John Ford
173	Au Hasard Balthazar	83.29	98.08	77.93	77.54	1966	Robert Bresson
174	Autumn Sonata	83.29	84.85	83.09	82.66	1978	Ingmar Bergman
175	Annie Hall	83.28	93.18	80.58	80.58	1977	Woody Allen
176	The Conformist	83.27	96.68	79.92	78.58	1970	Bernardo Bertolucci
177	Rocco and His Brothers	83.24	84.73	81.95	81.68	1960	Luchino Visconti
178	Dersu Uzala	83.23	74.75	82.35	83.37	1975	Akira Kurosawa
179	Cool Hand Luke	83.21	93.05	82.22	79.83	1967	Stuart Rosenberg
180	Monty Python and the Holy Grail	83.18	91.98	82.96	79.30	1975	Terry Gilliam, Terry Jones
181	Le Samouraï	83.18	92.35	82.45	79.40	1967	Jean-Pierre Melville
182	Aliens	83.18	88.73	83.29	79.61	1986	James Cameron
183	PlayTime	83.16	93.50	80.22	78.80	1967	Jacques Tati
184	The Bridge on the River Kwai	83.14	90.58	81.93	80.24	1957	David Lean
185	The Red Shoes	83.13	93.15	82.82	79.96	1948	Michael Powell, Emeric Pressburger
186	American Beauty	83.10	87.15	81.93	81.13	1999	Sam Mendes
187	To Live	83.10	84.00	82.16	82.46	1994	Zhang Yimou
188	Battleship Potemkin	83.10	95.85	77.81	80.41	1925	Sergei Eisenstein
189	Day of Wrath	83.09	93.40	81.07	81.29	1943	Carl Theodor Dreyer
190	All Quiet on the Western Front	83.07	92.85	80.05	81.48	1930	Lewis Milestone
191	It's Such a Beautiful Day	83.07	91.25	83.62	79.77	2012	Don Hertzfeldt
192	Full Metal Jacket	83.06	81.53	82.21	82.54	1987	Stanley Kubrick
193	The Cabinet of Dr. Caligari	83.05	96.40	79.84	81.83	1920	Robert Wiene
194	Kes	83.03	97.80	79.59	80.55	1969	Ken Loach
195	The Usual Suspects	83.02	80.23	84.08	81.48	1995	Bryan Singer
196	The Cameraman	83.00	93.90	80.77	81.57	1928	Edward Segdwick, Buster Keaton
197	Aparajito	83.00	90.90	81.81	81.20	1956	Satyajit Ray
198	The Elephant Man	83.00	83.00	82.10	81.87	1980	David Lynch
199	Rebecca	82.98	90.08	81.08	80.93	1940	Alfred Hitchcock
200	Make Way for Tomorrow	82.97	95.80	81.72	80.14	1937	Leo McCarey
201	The Great Escape	82.97	87.68	82.29	80.66	1963	John Sturges
202	Your Name	82.97	84.55	84.07	81.29	2016	Makoto Shinkai
203	Limelight	82.92	88.00	79.85	83.02	1952	Charlie Chaplin
204	Breathless	82.92	91.95	78.88	79.10	1960	Jean-Luc Godard
205	Underground	82.91	80.75	81.26	82.64	1995	Emir Kusturica
206	The Man Who Shot Liberty Valance	82.88	91.90	81.08	79.53	1962	John Ford
207	Aguirre: The Wrath of God	82.87	94.55	80.46	78.62	1972	Werner Herzog
208	Oldboy	82.86	78.98	84.00	81.27	2003	Park Chan-wook
209	Up	82.84	90.28	81.32	80.86	2009	Pete Docter
210	Anatomy of a Murder	82.84	94.00	80.57	80.02	1959	Otto Preminger
211	The Wild Bunch	82.84	90.35	79.45	80.12	1969	Sam Peckinpah
212	The Hunt	82.75	82.08	82.79	82.62	2012	Thomas Vinterberg
213	Il Sorpasso	82.74	95.75	82.84	79.57	1962	Dino Risi
214	The Last Laugh	82.74	95.25	79.47	81.61	1924	F. W. Murnau
215	A Streetcar Named Desire	82.73	94.60	79.89	80.26	1951	Elia Kazan
216	Life Is Beautiful	82.73	68.45	83.60	85.57	1997	Roberto Benigni
217	A Short Film About Love	82.71	87.10	81.90	81.89	1988	Krzysztof Kieślowski
218	The Shop on Main Street	82.71	94.45	82.15	80.43	1965	Ján Kadár, Elmar Klos
219	Rio Bravo	82.71	92.10	80.46	79.80	1959	Howard Hawks
220	Roman Holiday	82.70	84.55	80.74	82.42	1953	William Wyler
221	Ivan's Childhood	82.69	94.80	81.25	80.37	1962	Andrei Tarkovsky
222	The Exterminating Angel	82.68	91.10	81.66	80.17	1962	Luis Buñuel
223	Trainspotting	82.68	85.20	81.57	81.21	1996	Danny Boyle
224	The Last Picture Show	82.67	94.15	79.90	79.56	1971	Peter Bogdanovich
225	The Truman Show	82.64	89.63	79.70	82.15	1998	Peter Weir
226	Memories of Murder	82.64	82.88	82.68	80.94	2003	Bong Joon-ho
227	Faust	82.62	89.70	80.23	81.94	1926	F. W. Murnau
228	Sans Soleil	82.62	83.90	79.45	80.51	1983	Chris Marker
229	Song of the Sea	82.57	87.63	80.59	82.23	2014	Tomm Moore
230	Léon: The Professional	82.55	67.38	84.05	84.07	1994	Luc Besson
231	Fargo	82.54	87.45	82.36	79.19	1996	Coen Brothers
232	Solaris	82.54	89.95	80.91	79.69	1972	Andrei Tarkovsky
233	Sweet Smell of Success	82.52	96.53	80.81	77.62	1957	Alexander Mackendrick
234	For a Few Dollars More	82.52	79.28	82.38	83.15	1965	Sergio Leone
235	White Heat	82.51	90.65	80.77	81.24	1949	Raoul Walsh
236	Brief Encounter	82.50	88.35	80.81	81.03	1945	David Lean
237	Wings of Desire	82.49	85.70	81.30	80.42	1987	Wim Wenders
238	Diabolique	82.47	90.70	81.27	80.73	1955	Henri-Georges Clouzot
239	An Autumn Afternoon	82.45	91.95	81.68	79.85	1962	Yasujirō Ozu
240	The Tale of the Princess Kaguya	82.44	90.63	81.16	80.43	2013	Isao Takahata
241	Amarcord	82.41	85.95	79.26	80.73	1973	Federico Fellini
242	Heat	82.40	79.08	82.03	81.73	1995	Michael Mann
243	L'Atalante	82.40	95.60	78.32	78.10	1934	Jean Vigo
244	Django Unchained	82.39	83.44	82.23	81.94	2012	Quentin Tarantino
245	Jeanne Dielman, 23 Commerce Quay, 1080 Brussels	82.38	95.50	78.73	79.69	1975	Chantal Akerman
246	Kind Hearts and Coronets	82.38	95.60	80.80	79.72	1949	Robert Hamer
247	Dog Day Afternoon	82.37	88.40	81.11	79.80	1975	Sidney Lumet
248	Forbidden Games	82.37	93.75	80.36	80.99	1952	René Clément
249	The Crowd	82.35	93.35	79.21	81.23	1928	King Vidor
250	Notorious	82.35	96.78	79.96	78.21	1946	Alfred Hitchcock
251	Mary and Max	82.35	88.05	80.95	82.42	2009	Adam Elliot
252	Persepolis	82.34	88.95	80.09	80.77	2007	Marjane Satrapi, Vincent Paronnaud
253	Howl's Moving Castle	82.33	78.71	82.63	83.10	2004	Hayao Miyazaki
254	Nausicaä of the Valley of the Wind	82.33	85.10	81.54	82.03	1984	Hayao Miyazaki
255	Safety Last!	82.33	92.25	80.95	81.10	1923	Fred C. Newmeyer, Sam Taylor
256	Rosemary's Baby	82.32	94.78	79.99	78.69	1968	Roman Polanski
257	L'Avventura	82.32	92.10	79.08	78.03	1960	Michelangelo Antonioni
258	The Searchers	82.32	93.90	78.16	76.66	1956	John Ford
259	La Haine	82.30	90.60	82.38	79.56	1995	Mathieu Kassovitz
260	Three Colors: Blue	82.30	88.28	81.55	79.23	1993	Krzysztof Kieślowski
261	Chungking Express	82.30	79.95	82.29	80.73	1994	Wong Kar-wai
262	Inside Out	82.29	93.66	80.27	79.85	2015	Pete Docter
263	Where is the Friend's Home?	82.28	89.25	81.22	80.21	1987	Abbas Kiarostami
264	Cries and Whispers	82.27	85.45	81.02	80.80	1972	Ingmar Bergman
265	Napoleon	82.22	93.25	81.89	78.99	1927	Abel Gance
266	Paper Moon	82.19	83.08	81.37	81.29	1973	Peter Bogdanovich
267	The Spirit of the Beehive	82.17	89.83	79.31	78.91	1973	Víctor Erice
268	A Special Day	82.16	90.20	81.11	81.25	1977	Ettore Scola
269	Nostalghia	82.15	83.00	80.91	81.23	1983	Andrei Tarkovsky
270	Network	82.13	85.45	82.36	79.08	1976	Sidney Lumet
271	L'Eclisse	82.11	84.70	79.78	78.81	1962	Michelangelo Antonioni
272	Mr. Smith Goes to Washington	82.09	80.83	81.78	81.15	1939	Frank Capra
273	Sanjuro	82.09	91.90	81.67	80.85	1962	Akira Kurosawa
274	Badlands	82.06	93.38	79.77	77.21	1973	Terrence Malick
275	Vivre Sa Vie	82.06	85.20	80.12	79.83	1962	Jean-Luc Godard
276	Nobody Knows	82.06	87.18	81.12	81.15	2004	Hirokazu Koreeda
277	No Country for Old Men	82.05	90.68	80.56	78.47	2007	Coen Brothers
278	Spring, Summer, Fall, Winter... and Spring	82.05	86.05	80.76	80.62	2003	Kim Ki-duk
279	La Notte	82.04	78.35	81.45	81.11	1961	Michelangelo Antonioni
280	The Celebration	82.04	84.23	81.34	80.08	1998	Thomas Vinterberg
281	In the Name of the Father	82.04	84.90	81.14	81.85	1993	Jim Sheridan
282	I Am a Fugitive from a Chain Gang	82.02	89.55	80.18	81.56	1932	Mervyn LeRoy
283	Shoplifters	82.01	92.39	80.60	79.31	2018	Hirokazu Koreeda
284	Finding Nemo	82.01	92.60	80.13	78.76	2003	Andrew Stanton, Lee Unkrich
285	Z	81.98	87.55	82.21	79.59	1969	Costa-Gavras
286	The Phantom Carriage	81.96	95.00	80.01	80.32	1921	Victor Sjöström
287	Manhattan	81.95	86.23	80.50	79.81	1979	Woody Allen
288	Rome, Open City	81.94	95.40	80.45	79.27	1945	Robert Rossellini
289	Children of Heaven	81.93	80.15	81.24	82.01	1997	Majid Majidi
290	The Green Mile	81.92	71.93	82.95	84.38	1999	Frank Darabont
291	The Iron Giant	81.91	86.61	80.88	79.95	1999	Brad Bird
292	The Sacrifice	81.90	80.30	80.47	81.37	1986	Andrei Tarkovsky
293	The Philadelphia Story	81.90	94.95	79.79	77.86	1940	George Cukor
294	The Twilight Samurai	81.90	86.10	81.07	81.13	2002	Yôji Yamada
295	Before Sunset	81.88	87.79	81.42	78.41	2004	Richard Linklater
296	Before Sunrise	81.86	84.40	82.24	79.44	1995	Richard Linklater
297	Castle in the Sky	81.85	81.63	81.49	82.06	1986	Hayao Miyazaki
298	The Departed	81.84	86.92	82.82	79.04	2006	Martin Scorsese
299	Brazil	81.83	90.23	80.61	78.37	1985	Terry Gilliam
300	Incendies	81.81	83.85	81.88	80.74	2011	Denis Villenueve
301	The Maltese Falcon	81.81	95.65	80.24	77.28	1941	John Huston
302	The Wizard of Oz	81.77	98.03	79.38	77.17	1939	Victor Fleming
303	Le Cercle Rouge	81.76	90.03	80.81	78.54	1970	Jean-Pierre Melville
304	Monsieur Verdoux	81.76	89.80	78.55	81.34	1947	Charlie Chaplin
305	The Return	81.72	84.85	80.02	80.96	2003	Andrey Zvyagintsev
306	Secrets & Lies	81.71	90.73	80.29	78.66	1996	Mike Leigh
307	The Hidden Fortress	81.70	91.25	80.79	80.72	1958	Akira Kurosawa
308	Pan's Labyrinth	81.69	92.59	81.60	76.08	2006	Guillermo del Toro
309	Amélie	81.69	79.64	81.96	80.27	2004	Jean-Pierre Jeunet
310	Ben-Hur	81.67	86.93	79.86	80.22	1959	William Wyler
311	Fitzcarraldo	81.67	75.80	81.06	81.21	1982	Werner Herzog
312	American History X	81.63	70.13	83.58	83.00	1998	Tony Kaye
313	Ace in the Hole	81.62	79.10	80.88	81.36	1951	Billy Wilder
314	Capernaum	81.62	81.83	80.52	82.18	2018	Nadine Labaki
315	Still Walking	81.61	90.30	80.92	79.48	2008	Hirokazu Koreeda
316	All About My Mother	81.61	88.77	79.56	78.80	1999	Pedro Almodóvar
317	The Discreet Charm of the Bourgeoisie	81.60	92.28	78.82	78.83	1972	Luis Buñuel
318	Platoon	81.60	88.70	79.52	80.45	1986	Oliver Stone
319	Farewell My Concubine	81.60	80.50	80.49	81.04	1993	Chen Kaige
320	Letter from an Unknown Woman	81.59	93.10	79.84	79.31	1948	Max Ophüls
321	The Grand Budapest Hotel	81.58	87.64	80.72	79.19	2014	Wes Anderson
322	The Virgin Spring	81.58	82.45	80.70	80.66	1960	Ingmar Bergman
323	The Red Balloon	81.57	90.20	79.93	80.30	1956	Albert Lamorisse
324	Stagecoach	81.57	94.58	77.69	78.94	1939	John Ford
325	Mulholland Drive	81.56	80.61	79.60	77.87	2001	David Lynch
326	A Matter of Life and Death	81.49	92.60	81.91	76.27	1946	Michael Powell, Emeric Pressburger
327	High Noon	81.48	90.58	79.27	78.94	1952	Fred Zinnemann
328	Orpheus	81.48	96.20	79.88	78.90	1950	Jean Cocteau
329	Life of Brian	81.47	82.98	80.78	79.81	1979	Terry Jones
330	Casino	81.46	74.23	81.54	81.75	1995	Martin Scorsese
331	Kagemusha	81.44	82.93	80.01	80.43	1980	Akira Kurosawa
332	Butch Cassidy and the Sundance Kid	81.43	76.08	80.53	81.85	1969	George Roy Hill
333	In a Lonely Place	81.43	92.45	80.42	78.77	1950	Nicholas Ray
334	Scarface	81.43	71.30	81.97	82.18	1983	Brian De Palma
335	A Short Film About Killing	81.42	87.35	79.89	80.38	1988	Krzysztof Kieślowski
336	Beauty and the Beast	81.41	92.05	79.28	78.32	1946	Jean Cocteau
337	The Hustler	81.39	92.45	80.43	78.97	1961	Robert Rossen
338	Cléo from 5 to 7	81.38	91.65	80.03	79.11	1962	Agnès Varda
339	Fireworks	81.37	90.15	80.01	79.63	1997	Takeshi Kitano
340	Room	81.36	88.41	80.43	79.48	2015	Lenny Abrahamson
341	Mad Max: Fury Road	81.35	90.39	79.76	77.80	2015	George Miller
342	Steamboat Bill, Jr.	81.32	95.75	79.30	79.23	1928	Charles Reisner, Buster Keaton
343	Judgment at Nuremberg	81.31	71.58	82.24	83.03	1961	Stanley Kramer
344	The Straight Story	81.30	87.15	79.64	79.88	1999	David Lynch
345	Meshes of the Afternoon	81.29	96.25	77.91	79.99	1943	Maya Deren, Alexandr Hackenschmied
346	Alice in the Cities	81.28	86.70	79.60	80.20	1974	Wim Wenders
347	Akira	81.28	80.90	81.12	79.98	1988	Katsuhiro Otomo
348	Good Will Hunting	81.27	79.38	81.97	81.05	1997	Gus Van Sant
349	The Miracle Worker	81.25	85.15	78.88	81.55	1962	Arthur Penn
350	Talk to Her	81.25	87.48	79.33	78.71	2002	Pedro Almodóvar
351	The Graduate	81.24	85.58	78.91	79.97	1967	Mike Nichols
352	Beauty and the Beast	81.22	92.28	79.20	78.77	1991	Gary Trousdale, Kirk Wise
353	The Heiress	81.19	94.45	80.20	79.76	1949	William Wyler
354	Fantasia	81.18	93.03	76.76	79.95	1940	Samuel Armstrong, James Algar
355	Au Revoir les Enfants	81.18	94.25	80.14	78.92	1987	Louis Malle
356	Three Billboards Outside Ebbing, Missouri	81.18	88.62	79.36	79.90	2017	Martin McDonagh
357	Inglourious Basterds	81.17	79.05	81.06	80.51	2009	Quentin Tarantino
358	Elevator to the Gallows	81.16	90.45	79.31	78.56	1958	Louis Malle
359	Gladiator	81.16	75.39	81.69	81.52	2000	Ridley Scott
360	Through a Glass Darkly	81.15	93.60	81.11	78.86	1961	Ingmar Bergman
361	Million Dollar Baby	81.15	87.41	77.43	80.72	2004	Clint Eastwood
362	Days of Heaven	81.15	90.75	80.19	77.08	1978	Terrence Malick
363	Do the Right Thing	81.15	90.78	80.26	77.04	1989	Spike Lee
364	Out of the Past	81.14	91.40	80.73	77.92	1947	Jacques Tourneur
365	Strangers on a Train	81.11	93.30	80.01	78.68	1951	Alfred Hitchcock
366	Blue Velvet	81.11	83.48	78.98	77.09	1986	David Lynch
367	That Obscure Object of Desire	81.09	89.40	79.59	78.11	1977	Luis Buñuel
368	What Ever Happened to Baby Jane?	81.08	80.23	80.74	80.75	1962	Robert Aldrich
369	My Night at Maud's	81.07	88.15	79.51	79.42	1969	Éric Rohmer
370	The Earrings of Madame de…	81.07	92.15	80.36	77.05	1953	Max Ophüls
371	The Conversation	81.04	89.23	80.03	77.44	1974	Francis Ford Coppola
372	The Killing	81.03	91.50	79.51	79.21	1956	Stanley Kubrick
373	The Servant	81.03	87.83	79.45	78.57	1963	Joseph Losey
374	The Intouchables	81.03	67.15	82.13	84.70	2011	Olivier Nakache, Éric Toledano
375	The Life and Death of Colonel Blimp	81.01	94.15	81.57	75.44	1943	Michael Powell, Emeric Pressburger
376	Jaws	81.01	90.98	79.91	75.70	1975	Steven Spielberg
377	Winter Light	81.01	73.55	81.51	79.95	1963	Ingmar Bergman
378	Love Exposure	81.01	80.88	82.23	79.55	2008	Sion Sono
379	Hiroshima Mon Amour	81.00	92.95	80.13	77.99	1959	Alain Resnais
380	Day for Night	80.98	92.55	80.21	78.27	1973	François Truffaut
381	Ratatouille	80.97	92.73	78.72	78.68	2007	Brad Bird
382	Ghost in the Shell	80.97	81.43	79.98	81.15	1995	Mamoru Oshii
383	Germany Year Zero	80.95	92.00	77.80	80.03	1948	Roberto Rossellini
384	Spotlight	80.93	93.00	79.75	77.55	2015	Tom McCarthy
385	Die Hard	80.93	79.58	81.11	79.43	1988	John McTiernan
386	Laura	80.93	93.80	79.70	78.47	1944	Otto Preminger
387	Sleuth	80.93	89.95	79.16	80.87	1972	Joseph L. Mankiewicz
388	The Diving Bell and the Butterfly	80.92	88.64	79.69	77.84	2007	Julian Schnabel
389	The Handmaiden	80.92	85.99	82.55	77.41	2016	Park Chan-wook
390	Stand by Me	80.90	80.20	81.28	79.54	1986	Rob Reiner
391	Wolf Children	80.90	80.15	80.40	81.27	2012	Mamoru Hosoda
392	Marriage Story	80.88	92.86	79.40	77.75	2019	Noam Baumbach
393	Shoeshine	80.87	93.75	79.02	79.38	1946	Vittorio De Sica
394	Freaks	80.85	84.70	77.66	80.31	1932	Tod Browning
395	Nosferatu	80.85	93.75	78.29	79.14	1922	F. W. Murnau
396	Dial M for Murder	80.84	77.60	81.17	81.31	1954	Alfred Hitchcock
397	Amour	80.81	90.90	77.74	78.19	2012	Michael Haneke
398	12 Years a Slave	80.80	94.00	79.74	76.94	2013	Steve McQueen
399	The Nightmare Before Christmas	80.77	85.38	79.26	79.69	1993	Henry Selick
400	Cabaret	80.77	84.68	77.34	80.69	1972	Bob Fosse
401	Central Station	80.77	83.28	80.91	78.52	1998	Walter Salles
402	Landscape in the Mist	80.74	71.35	80.76	80.28	1988	Theo Angelopoulos
403	1917	80.73	84.37	80.65	79.33	2019	Sam Mendes
404	Intolerance: Love's Struggle Throughout the Ages	80.71	93.98	75.69	78.01	1916	D. W. Griffith
405	Call Me by Your Name	80.71	91.25	79.43	77.87	2017	Luca Guadagnino
406	Midnight Cowboy	80.71	82.98	79.10	79.50	1969	John Schlesinger
407	Shadow of a Doubt	80.70	94.38	79.31	76.04	1943	Alfred Hitchcock
408	Interstellar	80.70	74.16	81.30	82.25	2014	Christopher Nolan
409	Hannah and Her Sisters	80.69	88.95	79.15	77.98	1986	Woody Allen
410	Monsters, Inc.	80.68	85.29	79.37	80.08	2001	Pete Docter, David Silverman
411	The Testament of Dr. Mabuse	80.65	85.85	79.40	79.38	1933	Fritz Lang
412	Downfall	80.64	83.53	81.54	78.55	2004	Oliver Hirschbiegel
413	Being There	80.64	87.30	79.42	78.06	1979	Hal Ashby
414	The Killer	80.63	92.60	79.27	78.66	1989	John Woo
415	My Left Foot: The Story of Christy Brown	80.63	93.23	78.13	79.15	1989	Jim Sheridan
416	Jean de Florette	80.60	88.40	80.18	79.69	1986	Claude Berri
417	The Big Lebowski	80.57	74.80	82.28	78.57	1998	Coen Brothers
418	The King's Speech	80.57	90.86	78.50	78.59	2010	Tom Hooper
419	Whisper of the Heart	80.55	79.98	80.80	80.31	1995	Yoshifumi Kondō
420	E.T. the Extra-Terrestrial	80.54	93.08	77.22	77.82	1982	Steven Spielberg
421	Infernal Affairs	80.54	79.83	79.92	80.22	2002	Andrew Lau, Alan Mak
422	The Prestige	80.54	72.22	82.71	81.38	2006	Christopher Nolan
423	Our Hospitality	80.54	92.85	77.72	79.58	1923	Buster Keaton, John G. Blystone
424	Zootopia	80.53	85.22	78.84	80.18	2016	Byron Howard, Rich Moore
425	Toy Story 2	80.49	92.59	78.51	77.05	1999	John Lasseter, Ash Brannon, Lee Unkrich
426	Klaus	80.48	75.00	81.07	81.41	2019	Sergio Pablos
427	The Big Sleep	80.45	92.10	79.74	77.58	1946	Howard Hawks
428	Ford v Ferrari	80.45	83.94	79.37	80.01	2019	James Mangold
429	Dead Poets Society	80.44	78.70	79.43	80.75	1989	Peter Weir
430	The Terminator	80.43	89.08	78.26	78.13	1984	James Cameron
431	Naked	80.43	84.48	80.39	77.34	1993	Mike Leigh
432	Dangal	80.41	83.00	79.68	80.56	2016	Nitesh Tiwari
433	Kwaidan	80.40	81.80	79.75	79.42	1964	Masaki Kobayashi
434	The Man Who Would Be King	80.40	90.55	78.24	77.79	1975	John Huston
435	Wild Tales	80.38	82.57	80.48	79.22	2014	Damián Szifron
436	Groundhog Day	80.38	80.08	79.31	79.35	1993	Harold Ramis
437	Catch Me If You Can	80.38	83.44	78.74	80.57	2002	Steven Spielberg
438	I Vitelloni	80.36	90.28	77.64	78.06	1953	Federico Fellini
439	The Big Heat	80.35	92.90	79.27	77.87	1953	Fritz Lang
440	The Double Life of Véronique	80.35	82.63	80.19	77.87	1991	Krzysztof Kieślowski
441	Who's Afraid of Virginia Woolf?	80.35	82.58	80.19	78.43	1966	Mike Nichols
442	Requiem for a Dream	80.33	71.39	81.39	80.93	2000	Darren Aronofsky
443	Rope	80.33	79.20	80.31	79.30	1948	Alfred Hitchcock
444	Love and Death	80.33	89.83	77.55	78.50	1975	Woody Allen
445	The Remains of the Day	80.29	86.88	78.75	78.80	1993	James Ivory
446	Jules and Jim	80.28	93.70	78.30	77.94	1962	François Truffaut
447	The Gospel According to Matthew	80.28	88.30	76.50	78.52	1964	Pier Paolo Pasolini
448	How to Train Your Dragon	80.27	81.97	79.45	80.24	2010	Chris Sanders, Dean DeBlois
449	Harry Potter and the Deathly Hallows: Part 2	80.27	88.50	78.81	78.53	2011	David Yates
450	Cat on a Hot Tin Roof	80.26	87.05	79.46	79.79	1958	Richard Brooks
451	The French Connection	80.26	93.35	78.04	76.89	1971	William Friedkin
452	Opening Night	80.25	78.05	80.50	79.25	1977	John Cassavetes
453	Hotel Rwanda	80.24	84.54	79.34	79.40	2004	Terry George
454	4 Months, 3 Weeks and 2 Days	80.22	92.51	77.76	76.22	2007	Cristian Mungiu
455	Tampopo	80.22	92.40	81.20	77.01	1985	Juzo Itami
456	Scarface	80.22	93.50	76.43	79.55	1932	Howard Hawks, Howard Hughes
457	The Face of Another	80.21	87.50	79.61	79.34	1966	Hiroshi Teshigahara
458	The Roaring Twenties	80.21	86.20	77.79	80.68	1939	Raoul Walsh
459	Pickpocket	80.20	93.80	76.41	76.47	1959	Robert Bresson
460	Kiki's Delivery Service	80.20	85.45	79.87	78.84	1989	Hayao Miyazaki
461	A Prophet	80.19	89.61	79.53	76.14	2009	Jacques Audiard
462	Zelig	80.19	90.00	76.50	80.29	1983	Woody Allen
463	Trouble in Paradise	80.18	88.20	79.35	77.62	1932	Ernst Lubitsch
464	Gran Torino	80.17	76.27	78.57	82.36	2008	Clint Eastwood
465	Last Year at Marienbad	80.16	88.25	78.29	77.37	1961	Alain Resnais
466	All the President's Men	80.15	85.95	80.48	76.46	1976	Alan J. Pakula
467	Breaking the Waves	80.15	79.85	78.46	79.55	1996	Lars von Trier
468	Indiana Jones and the Last Crusade	80.14	74.28	81.44	80.57	1989	Steven Spielberg
469	Divorce Italian Style	80.12	91.00	79.28	78.26	1961	Pietro Germi
470	Edward Scissorhands	80.12	78.65	78.09	80.73	1990	Tim Burton
471	The Thing	80.12	67.98	82.60	79.34	1982	John Carpenter
472	Perfect Blue	80.11	74.05	80.91	80.09	1997	Satoshi Kon
473	Down by Law	80.10	79.03	78.98	79.61	1986	Jim Jarmusch
474	Bringing Up Baby	80.10	90.75	78.25	76.45	1938	Howard Hawks
475	The Phantom of Liberty	80.09	85.10	78.89	78.66	1974	Luis Buñuel
476	Bonnie and Clyde	80.07	85.38	78.16	78.23	1967	Arthur Penn
477	The Incredibles	80.07	89.69	79.77	75.78	2004	Brad Bird
478	Rocky	80.04	79.73	79.17	79.29	1976	John G. Avildsen
479	His Girl Friday	80.03	94.15	79.24	76.72	1940	Howard Hawks
480	Mommy	80.03	80.79	80.39	79.13	2014	Xavier Dolan
481	Mon Oncle	80.03	88.00	78.03	78.76	1958	Jacques Tati
482	My Fair Lady	79.99	91.85	77.53	78.00	1964	George Cukor
483	Charade	79.98	85.55	79.37	78.72	1963	Stanley Donen
484	Stalag 17	79.95	87.13	79.62	77.79	1953	Billy Wilder
485	Boyhood	79.95	97.08	76.08	75.95	2014	Richard Linklater
486	The Secret in Their Eyes	79.95	82.49	81.27	77.67	2009	Juan José Campanella
487	Ninotchka	79.95	90.15	77.99	78.50	1939	Ernst Lubitsch
488	Pierrot le Fou	79.94	81.75	77.84	76.65	1965	Jean-Luc Godard
489	The Enigma of Kaspar Hauser	79.94	89.10	78.30	78.27	1974	Werner Herzog
490	Stroszek	79.94	88.40	79.50	77.77	1977	Werner Herzog
491	A Hard Day's Night	79.93	93.73	76.82	77.08	1964	Richard Lester
492	Onibaba	79.90	74.75	79.42	79.96	1964	Kaneto Shindo
493	Repulsion	79.85	92.68	77.29	76.57	1965	Roman Polanski
494	Like Stars on Earth	79.85	80.50	79.54	79.86	2007	Aamir Khan, Amole Gupte
495	Duck Soup	79.84	92.33	79.01	74.92	1933	Leo McCarey
496	Carlito's Way	79.83	70.28	79.16	82.01	1993	Brian De Palma
497	Nashville	79.82	93.23	76.89	74.92	1975	Robert Altman
498	The Triplets of Belleville	79.82	88.97	76.57	78.66	2003	Sylvain Chomet
499	Dr. Mabuse the Gambler	79.81	85.10	76.88	79.98	1922	Fritz Lang
500	Gone Girl	79.79	83.03	79.32	78.87	2014	David Fincher

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